At least that’s what it looks like on the map, whereas in real life unruly hordes of clueless tourists, harried office workers and stoic locals routinely turn these few blocks into an Olympics-worthy obstacle course.īut it took more than that to discourage me from using my all-important lunch break to go hear some exciting contemporary music from early 20th century Vienna with Anton Webern and early 21st century United States with Marti Epstein. ![]() Granted, the charming chapel is located a little bit further from my office, but still at a very reasonable walking distance. Paul’s Chapel, whose own restoration was completed a while ago. Since these days the historic Trinity Church is mostly off-limit due to a large-scale renovation, all performances have been moved to the equally historic St. The one I got last week was about “Time’s Arrow - Webern Part 2”, the second part of a series whose first part I unfortunately missed last fall. In all fairness, there is the occasional uplifting email, like the one I got from Lower Manhattan’s Trinity Wall Street, where the director of music and the arts, as well as composer, conductor and keyboardist, Julian Wachner tirelessly comes up with infallibly inventive programming. June is typically the time of the year where I reluctantly have to slow down my performance going schedule due not a lack of will, but to a lack of opportunities, for a couple of months. 9Īnton Webern: Five Movements for String Quartet, Op. Anton Webern: Six Bagatelles for String Quartet, Op.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |